The films end.
The signal continues.

Go deep into the films: the people who made them, the ideas that drive them and the details that build their worlds. Explore their material history in the Museum. Follow the creative current into original CRONENDROME images, films, music and print editions.

David Cronenberg’s films leave things behind: a body that can no longer be trusted, a machine that feels almost alive, an image that changes the person watching it. These things travel. They enter dreams, everyday objects and the way the world looks after the credits.

Cronendrome begins in that afterimage. The work has accumulated its own charge. It leaks beyond the films, crosses from one medium into another and starts producing transmissions of its own.

The signal surfaces as images, moving films and sound. Screens acquire organs. Machinery develops an appetite. Industrial rhythms pulse through spaces that seem to breathe. Each transmission carries traces of the last, altered by the medium it passes through.

There is no final form. An image becomes a sequence. A sequence leaves a sound behind. What appears to be interference becomes the beginning of another transmission.

Print gives the signal weight. A page holds an image still; a bound volume gathers its traces. Cronendrome Vol. 1 is one such body: a passage of the ongoing transmission, fixed in ink and paper.

Behind the transmission is a growing research archive devoted to David Cronenberg’s cinema. Case studies follow the scripts, people, places, effects, sounds and objects that made each film possible. Sources and surviving evidence anchor that work in the films’ actual histories.